Welcome to our third annual FORTNIGHT OF FRIGHT event!
October 17th – October 31st, 2015
Thanks for checking out the THIRD annual edition of FORTNIGHT OF FRIGHT where Alyssa (Books Take You Places), Amy (Tripping Over Books), and I bring you two full weeks of Halloween-related posts! We’ve invited bloggers, authors, and book lovers alike to share their favorite things about Halloween and we feature a new person and post each day.
Today, Angela from Angela’s Library is sharing her review of THE FALL by Bethany Griffin!
Title: The Fall by Bethany Griffin
Publishing Info: October 7, 2014 by HarperCollins
Genres: Horror, Paranormal, Retelling, Young Adult
Find it on the web: Buy from Amazon // Goodreads
Date Completed: August 26, 2015
Related Posts: The Fall
Madeline Usher is doomed.
She has spent her life fighting fate, and she thought she was succeeding. Until she woke up in a coffin.
Ushers die young. Ushers are cursed. Ushers can never leave their house, a house that haunts and is haunted, a house that almost seems to have a mind of its own. Madeline’s life—revealed through short bursts of memory—has hinged around her desperate plan to escape, to save herself and her brother. Her only chance lies in destroying the house.
In the end, can Madeline keep her own sanity and bring the house down? The Fall is a literary psychological thriller, reimagining Edgar Allan Poe’s classic The Fall of the House of Usher.
Hi everyone! For today’s post for A Fortnight of Fright, I’m excited to share with you a review of one of my favorite Halloween reads, The Fall by Bethany Griffin. This book combines two things I absolutely love: a retold classic and a seriously creepy haunted house.
The Fall is a novel-length retelling of Edgar Allan Poe’s short story “The Fall of the House of Usher.” Madeline Usher, the protagonist, has always known there is something not quite right about her ancestral home. It seems to have a will of its own and a desire to impose that will upon its inhabitants. The house lives through the Ushers, feeding off of their emotions and doing everything it can to ensure the family stays on the property and under the house’s control.
This tie between the Ushers and their home takes a heavy toll on the family. It’s the fate of all Ushers to slowly go mad, and Madeline and her parents suffer from strange fits and trances. They experience fainting spells and fevers and are plagued by extreme sensitivity to light, sound, and even the touch of clothing on their skin. Time and memories slip, and reading is impossible because the words swim on the page. The family’s strange condition is so acute that they keep their own staff of live-in doctors, who are a little mad themselves and prey on the Ushers in their own way.
As Madeline grows up, she learns more about her house’s dark power and becomes more and more determined to escape it. She knows there must be a way to outsmart the house and free her family from its horrific legacy; she just has to figure out what that way is. The harder she struggles against the house, though, the harder the house fights back, finding ways to trap her and confuse her.
Each chapter is written from Madeline’s perspective, but the chapters aren’t in chronological order and jump back and forth between Madeline’s point of view at age 9, 18, 12, etc. This may sound like a strange way to tell a story, but it makes sense for the book. It lets the reader experience the story just like Madeline does – piece by piece, confused and disoriented. Like Madeline, just when you think you’ve caught the thread of the story you’re interrupted, taken off of your path and turned in a different direction. It throws you off balance, and you have to get your bearings again and figure out which Madeline you’re dealing with. Is it the Madeline who suspects the house is trapping her like a fly in a spiderweb? The Madeline who loves the house and trusts it to keep her from harm? The Madeline who is trying to escape? You don’t know what to expect from one chapter to the next.
Griffin does a fabulous job of making the house sentient and terrible, building it into as much of a character as Madeline, her family, and her physicians. The house thinks, feels, and is capable of taking action. It listens to the stories its occupants tell, redirects them when they get too close to the secrets it doesn’t want discovered, and occasionally throws tantrums, tremoring and convulsing and locking people in rooms. It can even influence people and put thoughts in their head, using them to fulfill its own purposes.
I love The Fall’s spooky gothic vibe. There’s an oppressive undercurrent of horror and dread that never completely goes away. The house corrupts everything within it: bright new dresses fade overnight, lace crumbles, and previously normal visitors slowly grow mad and twisted. Children’s swings sway eerily of their own accord, suits of armor fling axes at hapless passersby, and ghosts of long-dead Ushers lurk in the shadows. There are even old messages, presumably from the house, transcribed by Ushers of years gone by:
“The surface of the desk is covered with scraps of parchment. I read the first. I love you. […] I pick up another. I know you. […] The next one: I watch you. Dozens of scraps of parchment are scattered over the desk. I love you, I know you, I need you.”
If you want a book that will give you shivers this Halloween, The Fall will certainly do the trick. It’s creepy, atmospheric, and a worthy homage to Poe’s original. Just make sure not to read it before bed – it might just keep you up at night.
Thanks, Angela! Great review. I really enjoyed this one as well and I really loved how atmospheric it was!
I reviewed THE FALL last year for A Fortnight of Fright too! You can see the full review here: The Fall by Bethany Griffin