Publishing Info: June 18, 2013 by HarperCollins
Source: Borrowed from Hoopla
Genres: Adult, Magical Realism
Find it on the web: Buy from Amazon // GoodreadsDate Completed: November 7, 2016
Related Posts: Fortunately, the Milk, Stardust, American Gods, Neverwhere, InterWorld (InterWorld #1)
A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn't thought of Lettie in decades, and yet as he sits by the pond (a pond that she'd claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.
Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.
A groundbreaking work from a master, The Ocean at the End of the Lane is told with a rare understanding of all that makes us human, and shows the power of stories to reveal and shelter us from the darkness inside and out. It is a stirring, terrifying, and elegiac fable as delicate as a butterfly's wing and as menacing as a knife in the dark.
Apparently the end of 2016 was filled with Neil Gaiman after listening to two full-length novels and one extra, all on audio. I’ve been in a bit of a reading slump and was looking for something comforting and that I knew would be pleasant to listen to and it doesn’t get much better than Neil Gaiman’s stories and his own narration.
I’m really glad that I waited to read/listen to THE OCEAN AT THE END OF THE LANE and didn’t pick it up right away. Magical realism is a genre that’s been growing on me over the years and I’ve reached a point where I’ve read a few books within the genre of which I’ve grown quite fond. Usually when I experience a genre clash, it’s all about reading the right books and my latest magical realism reads have just really been clicking. I fear if I had read THE OCEAN AT THE END OF THE LANE too soon, the magical experience of everything may have been lost on me and I might not have connected well and I’m so glad that I was really able to appreciate this book!
Alyssa, my friend and master of Gaiman novels, described this one to me as a children’s story for adults, being that the narrator is an adult who is telling the story but it’s about a series of events that happened to him as a child, all around when he was about seven years old, and I think that’s a great way to describe this novel. THE OCEAN AT THE END OF THE LANE felt very much like an adult-oriented book and yet it had the younger, children’s mentality due to its time frame and focus. Despite how well I think Neil Gaiman writes for any age, I feel like I tend not to wholly connect to a book that mixes or crosses ages like that. I don’t often like when adult books dip down into a childlike focus and the mix of mentalities can be a bit too much for me sometimes, and that seems to be why I didn’t totally 100% love this story.
I really did enjoy the magic that occurred throughout the book, though! I love magical realism because it doesn’t have to play into stereotypical creatures or situations that are so often found in paranormal or urban fantasy genres and yet it still connects with real life. That slight blur between the narrator’s home life and the magic of the Hempstock family was just delightful and I love the feeling of it being right on the surface. The little beasties and dangerous magical things are that much more frightening in THE OCEAN AT THE END OF THE LANE as well because the characters don’t know or understand the rules of their world and often time can’t predict how to control, discourage, or manage them. They’re that much harder to get rid of as well when there’s a limited amount of help and not an entirely fantastical community to offer support.
THE OCEAN AT THE END OF THE LANE was a quick read and I loved the overall atmosphere and feel. I don’t like stories that dip into the childhood years as much because it’s just not something I connect with as much as I do young adult or adult novels but I still enjoyed it from start to finish. Neil Gaiman always creates the most wonderful atmospheres that have readers completely believing in these worlds and I loved being totally sucked into the story.
I borrowed this audiobook from Hoopla (bless you, Hoopla) because I was having an audiobook slump and needed a narrator I could trust who was also a male voice. I just wasn’t in the mood for a female voice after striking out a few times. I love when authors narrate their own books because I just feel you really get things EXACTLY the way they intended, especially parts that were songs (and actually sung)! Neil Gaiman has a wonderful narrating voice as well and his audiobooks are just so pleasant to listen to.
Kept Me Hooked On: Magical Realism. This is still a new-ish genre to me and I’m finding that I’m enjoying these stories more and more!
Left Me Wanting More: Sophistication. The book was actually plenty sophisitcated, I guess, but I just don’t connect to that childlike mentality as much.
If you’re a fan of Gaiman, looking for a good audiobook, or attempting to get into more magical realism, this is a great place to dive in!
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(Click the cover to see my review!)